.... completely serious about her commitment to helping others. Sister Helen did not wear her habit during the course of the film. Many people have a stereotypical vision of Catholic nuns: the habit, seemingly out-of-touch thoughts and ideals, and older and/or without any vitality. Sister Helen showed what being a Catholic and a Catholic nun is truly about. She accepted a call for help from a complete stranger. Instead of turning away or giving up, she persisted, showing what love and, in a way, courage could do under such dire circumstances. Through it all, she did it with spirit, life, vitality, and strength. Her relationship with the convict, Matthew Poncelet, was on two ....

.... income that we know of, it was his way of putting the bread on the table. If people did not like what Shakespeare wrote, then he would not earn any money. If the people didn't like what they saw, he became the starving artist. Shakespeare wrote these dialogues in such a manner as to entertain both the Nobility, as well as the peasants. The Shakespearean theater is a physical manifestation of how Shakespeare catered to more than one social class in his theatrical productions. These Shakespearean theaters has a unique construction, which had specific seats for the wealthy, and likewise, a designated separate standing section for the peasants. This definite separation of the cl ....

.... he has been with Olivia for quite some time before and during the play. Malvolio is thought to be in love for a small period of time. Olivia is madly in love through out the play with Cesario. Olivia says: "Run after that come peevish messager, The country's man. He left his ring behind him" (Act 1, Scene 5, Lines 276-277). Olivia also explains how she is in love with Cesario by telling him that she loves him in front of him in his face when he is over at Olivia's house. "I love thee so that, maugre all thy pride" (Act 3, Scene 1, Line 149). Cessario also knows that Olivia's in love with him, because he realizes that after Malvolio had given t ....

.... first time Willy is seen lapsing off into the past is when he encounters Biff after arriving home. The conversation between Willy and Linda reflects Willy's disappointment in Biff and what he has become, which is, for the most part, a bum. After failing to deal adequately with his feelings, he escapes into a time when things were better for his family. It is not uncommon for one to think of better times at low points in their life in order to cheer themselves up so that they are able to deal with the problems they encounter, but Willy Lowman takes it one step further. His refusal to accept reality is so strong that in his mind he is transported back in time to relive one o ....

.... of Demetrius as well. A solution is very close at hand until Puck mistakes Lysander for Demetrius and causes Lysander to fall desperately in love with Helena. This is the main conflict. Characters that are desperately in love are torn apart by forces they c annot control. Helena is in great anguish because she cannot have Demetrius and now it seems that Lysander is mocking her over this very fact. Hermia is also in terrible pain due to the sudden change of heart seen in her lover. Demetrius is still seeking Hermia with no hope of success and Lysander is trapped in the daze of love for a woman that is not his true love. It is with this feeling of utter helplessness th ....

.... of honour. At the beginning of Act III sc. ii, Shakespeare clears all other characters from the stage to allow King Henry=s first meeting, face to face with Prince Hal, to be focused and intense. King Henry is the first to speak and sets a sombre tone as he begins to unmask himself to his son A. . . some displeasing service I have done @ (3.2.5). As well Shakespeare allows King Henry to bring Prince Hal=s mask to attention by using anaphora: Could such inordinate and low desires, Such poor, such bare, such lewd, such mean attempt, such barren pleasures, rude society as there art matched withal . . . (3.2.12-15). The wo ....

.... shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Over men's noses as they lie asleep; Her waggon spokes made of long spinners legs, The cover of the wings of grasshoppers; Her traces of the smallest spiders web; Her collars of the moonshine's watery beams; Her whip of cricket's bone; the lash of film; Her waggoner a small grey-coated gnat, Not half so big as a round little worm Pricked from the lazy finger of a maid: Her chariot is an empty hazle-nut Made by the joiner squirrel, or old grub, Time out o' the fairies' coachmakers. And in this stat ....

.... can't be avoided, and in a tragedy the sad part is that it could. Hamlet's death could have been avoided many times. Hamlet had many opportunities to kill Claudius, but did not take advantage of them. He also had the option of making his claim public, but instead he chose not too. A tragic hero doesn't need to be good. For example, MacBeth was evil, yet he was a tragic hero, because he had free will. He also had only one flaw, and that was pride. He had many good traits such as bravery, but his one bad trait made him evil. Also a tragic hero doesn't have to die. While in all Shakespearean tragedies, the hero dies, in others he may live but suffer "Moral Destruction". In O ....