.... reduced to rubble; and not just the physical aspect but the glory of the king is also long forgotten. In Shelley's "",there are two speakers; the first speaker introduced the poem for the first line and then the second speaker carries the poem to realization. It is ironic that the words inscribed on the pedestal "Look on my works. . . and despair!" reflect the evidence of the next line, "Nothing beside remains," that is, there is nothing left of the reign of the greatest king on earth.One immediate image is found in the second line, "trunkless legs.". One good comparison may be when the author equates the passions of the statue's frown, sneer, and wrinkled lip to the "lifel ....

.... young love and the promise of new and intimate discovery. He's saying that the urn will be explored from different standpoints, at different times, and by different individuals. Although a "bride," it can never be entirely fulfilled. In the next line it is the "foster-child of silence and slow time," the urn exists in time because it is only throughout time and its events that we can even begin to understand the scenes it presents in their relation to our own experience. "The Sylvan historian, describes the panels on the urn that present ancient woodland scenes, they probably tell the history of a past way of life. In the second and third stanzas Keats is talking about the mu ....

.... and strong that one feels incapable of any other 'reality', fearing it can and will be worse. The poem is built of four stanzas( quatrain ), each consisting of four lines. The rhyme scheme is, in the first stanza - abab, in the second - cdcd, in the third - efef, and in the fourth - ghgh. The meter is trecet iamb ( stressed unstressed - three times per line ). The central image in the poem is the metaphor in which the beatings are described as a waltz. The poet is led around the house, dancing - not beaten around. Which is also brought throu by the meter - trecet iamb - the beat of the waltz, thus the main image is shown through the meter as well, giving the ....

.... of Dickenson's other death related poems show the reader the perspective of the dead. The vivid imagery in this poem functions to enhance the reader's perception of the poem. The following passage conveys a resplendent physical sense of coldness as someone is frozen to death: "This is the Hour of Lead-- Remembered, if outlived, As Freezing persons, recollect the Snow-- First--Chill--then Stupor--then the letting go--" The innovative diction in this passage creates an eerie atmosphere all by itself. The effect of this passage is reminiscent of the famous macabre monologue at the end of Michael Jackson's Thriller. Dickenson also excellently portrays the restl ....

.... not. She feels envious of the fact that he can speak and laugh with her love, and she can't. "-he who listens intimately to the sweet murmur of your voice, the enticing laughter that makes my own heart beat fast. If I meet you suddenly, I can't speak- my tongue is broken." She wishes that she had the same relationship with her love that he has. The Greeks believed that love was so strong of an emotional feeling that it could have physical effects. In the poem, the speaker becomes ill from loving so much. She is hurt inside because she is not with her love, and the emotional pain transforms to physical effects. "I drip with sweat; trembling shakes my body and I turn pal ....

.... for its emotional richness. The overall tone and feeling contains love and pain and humor and nostalgia all blended. This is a poem worth memorizing. The structure of the poem rhymes at the end of each line, while the sentences end at each quatrain. The rhyme scheme is consistent throughout the piece and each line rhymes with every other line. For example, in the first line ‘whiskey on your breath’ rhymes with ‘but I hung on like death’ on the third line. The words breath and death are dominant words that reveal a somber tone, which runs throughout the piece. In the second line, the words ‘dizzy’ and ‘easy’ are paired as sight rhymes. Although the rhyme ....

.... of decay. The reality of the woman's broken dreams is inescapable. The home, in disrepair, has roaches coming out of their colonies in the moldings and grimy window panes. Society dictates that she must take on the domestic drudgeries of life. In the male dominant society, she alone must fulfill the role of housekeeper. With the absence of her lover, the woman takes sole responsibility for maintaining a pleasant household; she alone makes the bed, dusts the tabletop, and sets the coffee on the stove. The portrait of her miserable life contrasts sharply with that of her lover. While she struggles with the endless monotony of house chores, he loafs around, carefree and r ....

.... by freinds or relatives--children or grandchildren aare not mentioned--but by memories and a few possessions(9-11). They are "Mostly Good" (5) , words Brooks capitilizes at the end of a line, perhaps to stress the old people's adherence to traditional values as well as their lack of saintliness. They are unexceptionl, whatever message they have for readers. The isolated routine of the couple's life is something Brooks draws attention to with a separate stanza: Two who are Mostly Good. Two who have lived their day, But keep on putting on their clothes And putting things away. (5-8) Brooks emphasizes how isolated the couple is by repeating "Two who." Then sh ....