.... go to the grave with her pride if she doesn't give in. Finally, the use of "optimum time" plays on her emotions of how sweet the opportunity to make love to her would be. Marvell tells his mistress that the act would be almost animalistic and intense. Throughout the poem, he uses the phases of time in an attempt to frighten her into having sex with him. All three stanza's in the poem represent a different time frame. The first gives his mistress a feeling of unconditional love. He leads her to believe he would give all he has to her as long as time will permit. During the second stanza, Marvell plays on her fear of getting old. He warns her that her beaut ....

.... stones of slate and one of marble... We haven’t to mind those. But I understand: it is not the stones, But the child’s mound--- “ During this passage he is being so cruel. He is just sort of rubbing it in that they had lost so many children. It’s almost like it was his fault that all of this was happening. The husband seems to not be phased by the great loss that they have endured. Later on in the poem the husband begins to talk again, stating: “We could have some arrangement, By which I’d bind myself to keep hands off, Anything special you’re a-mind to name. Though I don’t like such things ‘’twixt those that love. Two that don’t love can’t live to ....

.... historical character reveals a personal testimony of his life, often disclosing the undesirable attributes of his character. While some of Browning’s monologues serve to inform and entertain, others provide a hidden message for the reader to cogitate. After reviewing the circumstances and issues concerning the speaker’s life, the reader forms a moral approval or disapproval. Thus, the dramatic monologue has a central objective: The reader must determine a final judgment of the speaker. In his dramatic monologues, Browning expresses his own convictions through the use of grotesque art. As the term implies, vile, rebuked, heartless, and failing human beings are present ....

.... going home with the light hand on the reins”. Next in her poem, “How It is”, she puts on a blue jacket that belonged to her recently deceased friend, whom played a major role in her life. By putting on the jacket, she tries to relive the past by, “...unwind(ing) it, paste it together in a different collage...”. In this poem, Maxine Kumin, uses plants to describe her feelings, as in; “scatter like milkweed” and “pods of the soul”. These similes show what she sees and feels. “The Longing to be Saved”, is a dream, where her barn catches fire. “In and out of dreams as thin as acetate.” She visualizes herself getting the horses out, but they “wre ....

.... on the critics or the book buying public After being wounded in April 1917, Sassoon was sent back to England. While recovering at Craiglockhart War Hospital Sassoon met two other poets, Robert Graves and Wilfred Owen. All three men had grown increasingly angry about the tactics being employed by the British Army. Sassoon was willing to go farther than Owen and Graves in his criticism of the war and July 1917 published a Soldier's Declaration, which announced that "I am making this statement as an act of willful defiance of military authority, because I believe that the war is being deliberately prolonged by those who have the power to end it." Sassoon's hostility to war was ....

.... In his poem ‘No Return’ there is an obvious use of culture’s mythology: “her journey to Pulotu has no dawn.” (p109) Pulotu is the spirit world in Polynesian mythology. In ‘The Mountains of Ta’u’ he draws on the famous legend of Maui: “like spinning tops or Maui’s endlessly / inventing mind.” (p110) Maui is an important part of Polynesian mythology; Maui is a demigod who is used to tell of many stories. There are also reflections of Polynesian cultural inheritances in Hone Tuwhare’s use of mythology in his poetry. Tuwhare was born in Kaikohe, and belongs to the Ngapuhi hapus Ngati Korokoro, Ngati Tautahi, Te Popoto, and Uri-O-Hau. In his poem ‘Papa-tu ....

.... not travel both..." It is always difficult to make a decision because it is impossible not to wonder about the opportunity cost, what will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path. In an attempt to make a decision, the traveler "looks down one as far as I could". The road that will be chosen leads to the unknown, as does any choice in life. As much he may strain his eyes to see as far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the way that he chooses here that sets him off o ....

.... Thompson states “Frost created a parable based on the raw material of these old myths.” (327) That I suddenly heard – all I needed to hear: It lasted me many and many a year. The sound was behind me instead of before, A sleepy sound, but mocking half, As of one who utterly couldn’t care. The Demon arose from his wallow to laugh, Brushing the dirt from his eyes as he went; And well I knew what the Demon meant. “He represented himself as having conducted a search for the modern Demiurge named Evolution in hope of learning the secrets of life, but when finally found him all he was rewarded was indifference, atheism, and laughter” (Thompson 327). The uncertain ....