.... of social situations and giving her uncle, who is much older the she, advice. Abigail also thinks of herself as superior to the natives of Barbados. When her uncle discusses her work for the Proctors, she says that "they want slaves, not such as I. Let them send to Barbados for any of them!" (12). She is prejudiced against these people and her remarks reveal her snobbishness. Finally, Abigail's snobbish character is apparent through her statements to John Proctor about his wife Elizabeth. She says, "Oh, I marval how such a strong man [can be with] such a sickly wife" (23). Abigail obviously thinks highly of herself: she is worthy of Proctor's love, but El ....

.... result in his downfall. (Neher) This is the first and most significant of the many sins that he makes in this play. By abdicating his throne to fuel his ego he is disrupts the great chain of being which states that the King must not challenge the position that God has given him. This undermining of God's authority results in chaos that tears apart Lear's world. (Williams) Leaving him, in the end, with nothing. Following this Lear begins to banish those around him that genuinely care for him as at this stage he cannot see beyond the mask that the evil wear. He banishes Kent, a loyal servant to Lear, and his youngest and previously most loved daughter Cordelia. (Nixon) This res ....

.... forced to live with the inherited curse of being denied God’s presence. Cain’s lineage has been known to spawn monsters, trolls, giants, and other undesirable beings, all of which were rejected from society. Beowulf and Grendel both speak of Grendel’s ancestor Cain, almost as if using it as an excuse for his rash and murderous actions. Beowulf told of a Grendel that mercilessly attacked Hrothgar’s meadhall killing men without reason. Grendel also speaks of this evil monster, but in a more sympathetic and excusable manner. Grendel is thought of as “the guardian of sins” and is the physical equivalent to a man that has been shunned by ....

.... of it that strays too far from the original will lose the mystique and grandeur of a play written in such a different time. The antiquity of the play may also prove beneficial to the translator, however, because it is this which enables him to have extensive creative license; no one alive today can claim to know exactly how the play is intended to be read. This opportunity for individual technique is exemplified and exercised by the two authors whose works are the basis of this essay, H. D. F. Kitto, and Michael Townsend. The first difference I noticed between the two translations was that the one produced by Kitto was substantially more proper than Townsend's. It ....

.... concerning "the conflict between the artist's own sensual vision and his need to experience life directly"4 – I'll rather concentrate on my individual, rather alienated thoughts and feelings arised during the reading, and I will not go into Arthurian considerations, either. Concerning both the subject of a yearning, introverted young lady and the bleak solution, Tennyson's poem may be readily compared to two other, albeit larger scale, masterpieces of the early 1830's – Balzac's "Eugenie Grandet" and, even more notably, Pushkin's "Onegin" –, each dealing with the same kind of pastoral, embowered, dreamy, grave and generally misunderstood girls ....

.... Huck is impressed by all of the Grangerfords’ belongings and liberally offers compliments. The books are piled on the table "perfectly exact"(111), the table had a cover made from "beautiful oilcloth"(111), and a book was filled with "beautiful stuff and poetry"(111). He even appraises the chairs, noting they are "nice split-bottom chairs, and perfectly sound, too--not bagged down in the middle and busted, like an old basket"(111). It is apparent Huck is more familar with busted chairs than sound ones, and he appreciates the distinction. Huck is also more familar with flawed families than loving, virtuous ones, and he is happy to sing the praises of the people who took ....

.... disappointments. All of the characters have dreams, which are destroyed by the harsh realities of the world. As the narrator admits in his opening of the play, "since I have a poet's weakness for symbols," symbols merely used to express a particular theme, idea or character. One which is I think is the major symbol is the fire escape, which has a separate function for each characters. This fire escape provides a means of escape for Tom from his cramped apartment and nagging mother. Therefore the fire escape for him represents a path to the outside world where dreams are. For the gentleman caller Jim the fire escape provides the means through which Jim can enter the Wingfield' ....

.... the air we breath. They have acquired new and almost unlimited powers; they can command the thunders of heaven, mimic the earthquake, and even mock the invisible world of its own shadows"(47). sees these innovations as overpowering and substantially giving humans the power of god. believes that through these new scientific powers human kind would be served with a positive effect. Disease could be banished and self glory could result. "what glory would attend the discovery if I could banish disease from the human frame and render man invulnerable to any but a violent death"(40)! Shelley characterizes as a modern a mad scientist. One who fails to look at the moral ....