.... to Maureen Peal when she made fun of her for seeing her dad naked but instead lets Freida and Claudia fight for her. Instead of getting mad at Mr. Yacobowski for looking down on her, she directed her anger toward the dandelions she once thought were beautiful. However, “the anger will not hold�(50), and the feelings soon gave way to shame. Pecola was the sad product of having others’ anger placed on her: “All of our waste we dumped on her and she absorbed. And all of our beauty, which was hers first and which she gave to us�(205). They felt beautiful next to her ugliness, wholesome next to her uncleanness, her poverty made them generous, her weakness made them stro ....

.... on the other hand imparts knowledge, leads to experience, and gives pleasure to the few who love it. Literature is just as varied and expansive as Science is. There are hundreds of styles, millions of authors, and thousands of languages which make up literature. Instead of different fields, as in science, there are different genres. Literature is often backed up by research or first hand information, but can also be fanciful flights of the imagination. They are similar to the research, observation, and hypothesis found in science. Experiments can be performed in both. A scientist could ask what if, and logically and scientifically follow his what if through. A w ....

.... in the story that she would like to die. These gaps in the story where the mother mentions dying in the same scenes that have to do with her moving associates her moving with her death. One instance that she mentions dying is where she is complaining about the weather in Longview: "I mean it, honey. I don't want to see this place again except from my coffin. I hate this g.d. place. I don't know why I moved here. I wish I could just die and get it over with" (p. 413). I do not think the son believes she really wants to die but she puts the idea of her dying in his subconscious. There is a gap at that point that is up to the reader to figure out. The gap is widened ....

.... Since he cannot see into other people's characters, he can never identify them for who they truly are. When Lear is angered by Cordelia, Kent tries to reason with Lear but he is too stubborn to listen. Lear responds to Kent's opposition by saying he never wants to see Kent. Kent was only trying to do what was best for Lear, but Lear could not see that. Later, Lear's vision is so superficial that he is easily duped by the physical garments and simple disguise that Kent wears. Lear cannot see who Kent really is. He only learns of Kent's noble and honest character just prior to his death, when his vision is cleared. By this time, however, it is too late for an honest rela ....

.... for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her mother was and who she is lies in understanding her mother's life. Jing Mei spends her American life trying to pull away from her Chinese heritage, and therefore also ends up pulling away from her mother. Jing Mei does not understand the culture and does not feel it is necessary to her life. When she grows up it is not "fashionable" to be called by your Chinese name (26). She doesn’t use, understand, or remember the Chinese expressions her mother did, claiming she "can never remember things [she] didn’t understand in the first pl ....

.... on one day when each destroyed the other." The attention of the audience is grabbed. More questions as to the reasons and means of the brothers’ deaths arise. The audience immediately feels pity for the girls and desires to know the cause of the preexisting tragedy. However, to prevent the audience from becoming so confused that they lack attentiveness, all of these questions are answered within the next several minutes. The protasis in Antigone is brought about by Ismene attempting to reason with Antigone and reminding her of all that has gone wrong in the past. On line 48, Ismene pleads, "Think of our father, dear Antigone, And how we saw him die hated and scornedâ ....

.... guilty for the way her daughter Emily is, for the things she (the mother) did and did not do. The mother's neighbor even tells her she should "smile at Emily more when you look at her." Again towards the end of the story Emily's mother admits "my wisdom came too late." The mothers unknowingly gave Emily and Maggie second best. Both mothers compare their two daughters to each other. In Everyday Use the mother tells us that "Dee is lighter than Maggie, with nicer hair and a fuller figure." She Fahning -2-speaks of the fire that burned and scarred Maggie. She tells us how Maggie is not bright, how she shuffles when she walks. Comparing her with Dee whose feet vwere always neat-l ....

.... throughout the entire book. Ironically, although black, the native Africans seem to represent a sort of good by doing what they feel is right. On the other hand, the white foreigners carry themselves with some kind of evil as they exploit the great kindness of the blacks. I guess you could say that the white men were filled with a black hatred inside. Another example is found when Marlow enters the Belgian company’s office. Sitting in the office are two women dressed almost completely in black. Marlow is no beginning to understand the seriousness of the journey he is going to make. Even his predecessor dies because of a quarrel over two black hens. The usage of bla ....