.... who murdered two innocent boys. In the beginning, when the boys first met and assembled at the platform, the conch was the symbol of power. The person holding the conch always had the attention of everyone. There was a leader, Ralph, who was elected by the children. "Yes!" "Vote for chief!" "Let's vote------" This represented democracy, a government elected for by the whole population and they lived in a classless and tolerant society. There were rules which were to be obeyed by all. Nobody was exempt from them, they were agreed on by all. A fire was lit, to attract the attention of any passing ships or planes, huts were organised to be built. There were many plans for th ....

.... as she issued from the prison. Those who had before known her and had expected to behold her dimmed and obscured by a disastrous cloud, were astonished, even startled to perceive how her beauty shone out and made a halo of the misfortune and ignominy in which she was enveloped. Hester receives many punishments for her adulteress affair. She has to spend time in jail as well as wearing the letter “A” and also raises her daughter without a father. This makes the punishments both private and public. Hester wishes she were dead but then changes her mind because she says to Chillingworth, “I have thought of death, have wished for it, would even had prayed for it, Yet i ....

.... may have defiled Hester's public image, yet it has been a benefit rather than a bane to her soul, for by admitting her crime to the crowd, her soul is freed from two hells: first, the fiery pit where she would otherwise go after death, and second, the own personal hell Hester will create for herself if she had chosen to hide her sin in her heart. Though it was ordered for Hester to wear the letter, it was still her own choice to make it in a vivid scarlet, "so fantastically embroidered and illuminated upon her bosom." Hester chose red as the color of her brand of shame, to declare to the rest of the townspeople that she is prepared to acknowledge her sin, instead of ....

.... (Bronte 72) The Lintons, and the social and material advantages they stand for become Heathcliff’s rivals for Catherine’s love, which leads directly to the central conflict of the novel. Heathcliff despises them at first sight for their weakness, but Catherine, being an extremely proud girl, is tempted. A lovers’ triangle begins to take definite shape when the aristocratic Edgar Linton falls in love with Catherine, upsetting the balance between the relationship of Catherine and Heathcliff. Edgar’s love for Catherine is sincere, but the element of great passion which is strongly characterized does not compare to Heathcliff’s love. ....

.... to break into the group to which the Buchanans belong is doomed to fail. Taking advantage of her vivacity, her lively nature, she seeks to escape from her own class. She enters into an affair with Tom and takes on his way of living. But she only becomes vulgar and corrupt like the rich. She scorns people from her own class and loses all sense of morality. And for all her social ambition, Myrtle never succeeds in her attempt to find a place for herself in Tom's class. When it comes to a crisis, the rich stand together against all outsiders. Myrtle's condition, of course, is a weaker reflection of Gatsby's more significant struggle. While Myrtle's desire springs from social ....

.... no love is totally innocent." In The Merchant of Venice, there is an imperfect world, as well as a perfect world. The flawed world is the materialistic and bustling city of Venice. The impeccable world is the fairy-tale city of Belmont. Despite Belmont's perfection, a bit of justified hatred from Venice would ruin its innocence. (Paradise lost.) Alas, as Auden suggests, there are no utopias. In Venice, time is of the essence. If one were to momentarily forget the real world, one would be trampled down by its massive stampede of events, bonds, et cetera constantly being made, ubiquitously in its domain. Shylock and Antonio are just one pair of culprits adding to the ultimate i ....

.... coarse cotton tunic, the knight sits upon his horse. Seen in a different setting, the Knight's attire would say little about his life as an honorable man. By humbling oneself, a true hero lends credence to the fact that flash is not always needed. His armor left dark smudges on his tunic. Humbling experiences cause humans to step back and analyze the fortune they have; they learn that they do not have to wear their achievements. Sometimes people boast their success through fine clothing. Unlike the flamboyant Yeomen, the distinguished knight wears old garments. The Yeomen succumbs to society's inclination that when he dresses the part he will become successful. He wears ....

.... the reader in a subordinate state-of-mind. He confesses to the reader that he fears sounding presumptuous for writing about a subject covered many times before by others and differing from their opinion in the matter. This statement places the author at the mercy of the reader and prepares them to hear an idea that may not be popular. Having been asked forgiveness for the pride of the author, the reader drops barriers that he may have against arguments driven by ego and opens his mind to Machiavelli on a personal, sincere level. By placing himself at the feet of the reader, Machiavelli puts himself and his argument in a position of power. He wastes no time in using thi ....