.... "For the same reason the minister holds his hand over his heart." (156) Roger Chillingworth, Hester's husband, says that he is there to help heal Mr. Dimmsdale, which in fact he really isn't. He says that some men hide their secrets, and if he told him what his secrets were then his illness would be cured. Mr. Dimmsdale then says that he will tell no man of his sin and that Roger should not get between God and himself. Mr. Dimmsdale is also a coward. When Pearl, Hester, and Arthur are alone together and it is time to leave, Pearl asks him, "Will you stand up on the scaffold with us tomorrow?" (134), Later, she asks, "Will you go hand and hand with us out of the forest?" (1 ....

.... Therefore the true irony in this story lies not in the analyzation of minute details in the story, but rather in the context of the story as it is written. One of the voices that is present throughout the story is that of irony. The story itself is ironic since no one can take Swifts proposal seriously. This irony is clearly demonstrated at the end of the story; Swift makes it clear that this proposal would not affect him since his children were grown and his wife unable to have any more children. It would be rather absurd to think that a rational man would want to both propose this and partake in the eating of another human being. Therefore, before an analyzation ....

.... to have married her because he though she would bring a little life into his existence. The matter appeared doomed in Hawthorne’s eyes, and unnatural. Hester doomed herself when she married Chillingsworth, certified that doom when she committed adultery, and finalized that doom when she concealed Chillingsworth’s identity from Dimmesdale. The effects these events had were the separation from her society, her lover, her husband, her child, and her own best self. She did it all in the name of sanctity, for true love, and she paid the price. Dimmesdale was changed by the affair in a way that “ [he] grew emaciated; his voice, though still rich and sweet ....

.... try it, or you may be ill,’’ this suggests that Lizzy is very mysterious, and this is again showed further on in page 91 when she asks Mr.Stockdale whether he can ‘keep a secret’, and then she reveals the barrels to Mr.Stockdale that contain spirits from France and this is a very unusual thing for young women of her time to be doing, because it would usually have been men that would do all the smuggling. Lizzy realises that Mr.Stockdale is very surprised, and tries to defend herself by saying ‘’Smuggling is carried on here by some of the people,’’ and ‘’It has been their practice for generations, and they think of it as no harm.’’ Then to astonis ....

.... singing to her children in her kitchen in the opening of act two. This is in contrasts with frenzy at the end of act one. Elizabeth is trying to make her husband turn in Abigail as a witch. She seems sly about it and this exposes her pride. She has pride that she is able to punish Abigail for hurting her. Not this is an unjustifiable pride, but Elizabeth picks on john to do her dirty work to the point John says, “You will not judge me more, Elizabeth….Let you look to your own improvement before you judge your husband anymore”(act 2). The act of the accusation will prove to Elizabeth the affair is over. Elizabeth has a strong sense that she is the only one safe in th ....

.... of the success of the American Dream. He expresses these feelings when he says, "When I was seventeen I walked into the jungle and when I was twenty-one I walked out. And by God I was rich"(48). Ben earned his affluence without the help of an education or job. Willy is continuously misled with delusion illusions of grandeur by Ben, as in when Ben says, "What are you building? Lay your hand on it. Where is it?"(86). Ben questions the success of Willy's sales job and states that in order to be prosperous, one must physically touch it. Ben represents the success of the Dream and functions in order to make Willy doubt the actions of hard work. Charley is Willy's closest f ....

.... part of this play, as Tom, the narrator, is a poet, and admits he has a weakness for symbols. One major symbol presented in the story is that of the fire escape, a symbol that has a different meaning and function for each character. For Tom, it is a means of escape from fire, not the type of fire that was considered in its building, but “the slow and implacable fires of human desperation.” This is especially true of Tom's apartment. His mother, devastated after her daughter Laura's failure to cope in business college, becomes obsessed with finding her a gentleman caller so that she can marry and be well supported. When this caller finally comes, and it seems like it was ....

.... many experiences with birth. The first of these comes to him at an early age when he sees newborn pigeons. When his father explains how these pigeons were made, Brian understands that birth is the beginning of life. Four years later, a similar conversation comes up when Brian asks his father how rabbits are born. With this new found knowledge, Brian also sees another newborn. But this time it was a two-headed calf, who dies at birth. Because of this, Brian comes to the realization that "God isn't very considerate"(166), for sometimes he lets things like the two headed cow come into this world, only to suffer and then die. The Second instance in which Brian is confro ....