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Eduard Munch
Beginning of Paper
(1863-1944) was a Norwegian painter, engraver, and printer. He is often reputed to have been a loner and a misogynist. Many of his works revolve around a motif concerning women and their obscene vulgarity. The two works that will be described here are Vampire (1893) and Jealousy ( .... Middle of Paper .... the name to “Vampire,” possibly to capitalize on the 19th century literary obsession with vampires. The intense switch in meaning plays on the mind of the viewer very curiously. It turns from compassion for the two lovers to sympathy and sorrow for the victimized man. The woman’s red hair becomes almost demonic and the background’s darkness transforms from a sorrow-filled unity between the two figures to a desolate ambiance of confusion. The dark green in the background is tranquil, but the viewer’s knowledge of the situation ....
821 words | 3 pages
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