.... Aristotle’s observations in the production of his many tragedies (Desjardens). Probably the most important characteristic of a Shakespearean tragic hero is that one must posses a tragic flaw, because without the flaw, there would never be a downfall. The ultimate flaw varies from one play to another, King Lear’s flaw is that of arrogance while Macbeth’s it one of ambition. Some characters may be guilty of harboring many flaws, like Othello. Among Othello’s wrongs are gullibility and stupidity. In either case, the character never realizes ones flaws until act five, however, by that time it is too late (Desjardens). While the tragic flaw is the key element ....

.... young man throws the old man out of the bar just so he can go into bed with his wife. The young man has absolutely no respect for the older man who is deaf. He yelled at the old man saying, “You should have killed yourself last week.” The waiter treats him like an obstacle as if he is slowing down his life. The second waiter introduced is a middle-aged man. He does not say much, but it seems as though that this is because he does not want to get in a fight with the younger waiter. All he does is ask the young waiter questions, as if the middle-aged waiter was sort of stuck in a catch twenty-two. The middle aged man felt for the old man but could not express his ....

.... panel of men from the Churches and Courts of the Massachusetts Bay Colony. All of the townspeople came to see Hester Prynne's punishment because of their loyalty to the court. They had to see what was going on with the court, because that is what they held in highest regard. "Now, good Sir, our Massachusetts magistracy, bethinking themselves that this woman is youthful and fair, and doubtless was strongly tempted to her fall; - and that, moreover, as is most likely, her husband may be at the bottom of the sea; - they have not been bold to put in force the extremity of our righteous law against her. The penalty thereof is death. But, in their great mercy and tenderness ....

.... for some self-respect. Fonso, Celie’s abusive father, forces her to marry Albert, also abusive by nature. Celie finds a degree of hope through the depiction of Albert’s mistress, Shug. Shug serves as a tremendous force in Celie’s attainment of confidence, as the two eventually form a strong bond. Celie’s sister, Nettie, intelligent and caring who “mean[s] everything in the world” to Celie, also faces many of the same obstacles that Celie does, but Nettie first helps Celie overcome hers. As time passes, Celie gains more and more self-respect as well as some respect from others. The central theme flowing throughout the work remains that man often defeats hi ....

.... Rye, J.D. Salinger focuses on the theme of innocence for a large amount of time. Holden constantly refers to everyone as being a phony and that they had lost their innocence, which had been corrupted when they matured and were exposed to society. The society had exposed them to the real world and made them think in order to survive they must follow others. Holden goes in part of the book about jobs he likes and starts to describe job of a lawyer and says how they are sincere and try to save innocent lives, but then he goes on to think about how they are probably phonies and only doing it to be hot-shots and makes lots of money to impress society. (Salinger 172) The outco ....

.... much he cared about D.B. and his personality. "He used to be just a regular writer… Now he’s out in Hollywood being a prostitute". Holden often thought that D.B should leave his job in Hollywood writing movies and go back to his old life writing short stories. He should do that so that he could stop trying to please the people and just please himself. Another way that D.B was on Holden’s mind was how Holden thought about the many stories that D.B. would read him at night. When thinking of this it would remind Holden of the good times at home, this was a time when he felt comfortable and was a memory that made him feel good at almost anytime. And finally D.B ....

.... place to live. We should “…consider events…rationally and is concerned with the impact of change on people” (Gunn and Boucher 1). There have been two events in history which has change science fiction into what is today, the “…explosion of the first atomic bomb and landing on the moon” (Gunn and Boucher 5). Think about it, seeing a little space ship go millions of miles into space and landing on a moon. People would thinks to themselves wow. Or seeing a huge mushroom cloud fling into the air and destroy everything it touches. That the only purpose of science fiction is to “…deals with events that did not happen, may h ....

.... to believe he was not a teenager, but in fact, much older. Oates does make Arnold out to be a psychopathic stalker, but never objectively states the diabolical nature to his character. In “Connie's Tambourine Man”, a critical essay on the story, the authors write about Arnold Friend: “There are indeed diabolical shades to Arnold just as Blake and Shelley could see Milton's Satan a positive, attractive symbol of the poet, the religious embodiment of creative energy, so we should also be sensitive to Arnold's multifaceted and creative nature”(Tierce and Crafton 608). Mike Tierce and John Michael Crafton suggest that Arnold Friend is not a diabolical figure, but inst ....