.... jealously of Mozart. To convey this plot, it was necessary that Salieri had motives enough dislike Mozart. So it was necessary to build a character that was extremely competent but with no talent at all to contrast with a genius who behaved badly. With this, Salieri would have reasons to be jealous. As his first attempt to convey his plot, Salieri is shown as a musical hack as we can see in this extract: “Bewildered, MOZART does so (halts and listens), becoming aware of SALIERI playing his March of Welcome. It is an extremely banal piece, vaguely – but only vaguely - reminiscent of another march to become very famous later one.” The truth is that Salieri wa ....

.... a family, instead of fooling around all the time. She wants to stop being a girl and become a woman. Hemingway then presents the reader with two contrasting hills. One hill on one side of the station is dull, desolate, and barren; "it had no shade and no trees", very desert like. However, the other hill on the other side of the station is beautiful, plentiful in nature, and had "fields of grain and tress along the banks of the Ebro River." Also on each side of the station where each hill is, there is a train track. These objects are symbolic devices prepare the reader in realizing that the characters are in a place of decision. The railroad station ....

.... but it is not. Success is afforded or denied to a person if they qualify. In Death of a Salesman, I believe Willy Loman was not successful in anything he did because he lived in his own world. A big indicator to one's success is their performance on the job. If a person is doing well, generally, they are successful. In the beginning of the play Willy Loman comments on how he was "vital to New England". This is a great example of how Willy's distortion compromised his obtainment of success. In all reality he was not "vital to New England", but a hindrance to his company. This is one reason why Willy Loman never obtained the American Dream. Another indicator to su ....

.... his wealth also shows us that he is so lazy that doing anything for his money is something that is just not conceivable to him. He states this earlier on in the play (“I wound no earth with ploughshares; fat no beasts to feed the shambles”). His opinion on working an honest days work is that it is bad and that what he is doing is right. This demonstrates that he has no conception of what is right and wrong. Another analogy of this is that he is so corrupt and disabled by his greed that he is in fact an invalid whom can not do any more then he is already doing. The arrival of Corbachio prompts Volpone to say “the vultures gone and the old raven’s ....

.... as well as exploitation by the factory owners and businessmen. They developed a resentment and hostile attitude towards the upper classes. In this book, Toad most prominently exemplifies Grahame’s ideal life of leisure and freedom and subsequently has his house taken over by the rebellious working class Wild-Wooders. More importantly though, Toad exhibits many qualities, “that make him, for most readers, the most memorable figure in this book”. Yet many of these characteristics displayed by the aristocratic Toad seem to undermine the author’s attempted, “legitimizing of extreme disparities of wealth and social position” (Keefer). Toad is shown to be a very ric ....

.... much to see his grandaughter growing up and with her boyfriend Steve. From the describtion we had for this old man, we can understand much better what he feels. Then, this story have focused a bit closer to the grandaughter's mother and her point of view on her daughter's marrige, which she is happy with. The omniscient positions readers to a god-like position which will let us have a better understanding of what the character feels, and also all the `conflict' the character is experiencing and feeling. The characters's point of view are important in revealing the main theme of this story which is learning to let go. By understanding the characters's point of view, we ar ....

.... one should always tell the truth regarding the nature of her late husband's death" (M1) passes both parts of the Universal Law Formation of the Categorical Imperative. Consequently, according to Kant, M1 is a moral action. The initial stage of the Universal Law Formation of the Categorical Imperative requires that a maxim be universally applicable to all rational beings. M1 succeeds in passing the first stage. We can easily imagine a world in which paramedics always answer widows truthfully when queried. Therefore, this maxim is logical and everyone can abide by it without causing a logical impossibility. The next logical step is to apply the second stage of the test. The sec ....

.... the reader witness firsthand Rachel’s predicament. By having Rachel recount her birthday rather than a narrator tell the story in the third-person point of view, the reader gets to witness everything Rachel feels during the course of her day. We are able to see Rachel’s thoughts as she ponders why when you turn eleven, you do not feel eleven, but rather all the previous years together “like pennies in a tin Band-Aid box.” The embarrassment Rachel feels is made apparent through the use of point of view, when her teacher makes her take the lost sweater in front of the whole class. Even if the ugly sweater with red plastic buttons and a stretched ou ....