.... party doctrine. That the party is in fact more interested in wiping out these ideas which can act as seeds taking root in future generations. Then it is in punishing people. During this entry Rubashov makes no attempt but rather feels that everything shall be sorted out by history. But for him the most painful of all of his sacrifices, was his surrendering of in his secretary and lover, Arlova. Rubashov suffered much as he antagonized over weather this was in fact the correct choice to be made. The pain felt by Rubashov over this decision was amplified by his witnessing his old friend being taken much the same way as Avolora. After finishing this book I was am ....

.... then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but . . . a counteracting breeze blew off land, and continually drove me back." The gale is all the forces that prevent Jane's union with Rochester. Later, Brontë, whether it be intentional or not, conjures up the image of a buoyant sea when Rochester says of Jane: "Your habitual expression in those days, Jane, was . . . not buoyant." In fact, it is this buoyancy of Jane's relationship with Rochester that keeps Jane afloat at her time of crisis in the heath: "Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living." Another recurrent image is ....

.... the economic situation of the country has a great effect on the fall, or succession of people like the Joads, but I don't believe government programs will effect them at all. For example, the great depression was a major economical event, and it greatly effected more then just people like the Joads, but programs like the public works administration which employed people for government construction projects. Another program, the Works Progress Administration, later called the Works Projects Administration was created to develop relief programs, and to keep a person's skills. From 1935-1943, it employed 8 million people, and spent 11 billion dollars. But in 1939, there were ....

.... wildness in the human child"(163). All natural things and Nature accept this little girl who has been thrust out of Puritan society. A way to strengthen this point is to show Nature's reaction to Hester. The strange thing is that the sunshine runs from Hester even though it was her sin against the Puritan laws that produced Pearl who is accepted by the sunshine or Nature. In fact "[the sunshine] runs away and hides itself, because it is afraid of something on [Hester's] bosom" (146), the Scarlet Letter, which represents Hester's acceptance of Puritan law and way of life. Therefore her sin doesn't invite the sympathy of Nature. This is why when she throws the letter on the ....

.... for the purpose of cleansing but also the fear that murder might also be a threat to his own life. This is the exposition of the dramatic conflict of finding out the mystery of king Laios murder. The rising action is this search. It starts with Oedipus promising that the person responsible for Laios death will be driven out of Thebes. Oedipus sends for Teiresias, the blind seer who serves Apollo. Teiresias does not want to tell Oedipus about the murder, but tells Oedipus to leave things as they are. Oedipus accuses Teiresias of being the murderer and that is why he won't reveal the truth. Teiresias then tells that Oedipus is the one that killed Laios. Oedipus is shocked an ....

.... her the poison and plans to give Romeo a message describing the plan. He doesn't however, make sure Romeo gets the message which is probably the most crucial human action in the play. The other example of human actions controlling the plot is Juliet. In those scenes she acts in ways which seriously affect her life and the rest of the play. First, she comes to the Friar looking for help. "I long to die, if what thou speak'st speak not of remedy" (Act 4, sc i, ll 66-67) is her attitude towards her situation. She then accepts the friar's solution and decides to take the poison. "Give me, give me! Oh tell me not of fear" (Act 4, sc 1, ll 121) are her words spoken to the friar. He ....

.... the use of symbols within a story. One of the more common symbols throughout short stories and novels ultimately refers to the bible and religious history. In most, if not all stories have the relationship between good and evil – heaven and hell. Whether implied or not by Jack London, White Fang is full of many interesting biblical symbols. The character Beauty Smith, for instance very simply put symbolizes Satan. This man, this creature so vile as to subdue yet another victim (White Fang) into his ever-growing underground slavery prison camps. The greed for money and profit is the only need for this “prison camp”; the dog-fighting gambling is their pr ....

.... we will turn to the issue relationships. Finally we examine Bazarov’s death and the stunning truths it reveals. These issues combined with the theme of will prove that chance, or fate is a strong force which cannot easily be negated. as a concept is used throughout Fathers and Sons. To gain a better understanding of the ideas behind this term let’s look at what Bazarov says on the subject. "We base our conduct on what we recognize as useful... the most useful thing we can do is to repudiate – and so we repudiate" (123). The base concept of is to deny or negate, and as we learn later in the same paragraph, to negate everything. With this ‘destruction’ of everyt ....