.... play before calling them back home for going too far. The setting of a boundary portrays what will come in the novel. The summertime boundary emerges as the area in which Scout and Jem's games take place. This also accounts for where they meet Dill, another player in their game. The main character, Boo Radley, lives next door to the Finches. None of the children have ever seen Boo, but from the image they construct emerges a vivid character. "Boo was about six and a half feet tall, judging him from his tracks; he dined on raw squirrels and any cats he could catch, that's why his hands are blood-stained - if you ate an animal raw, you could never wash the blood off. There was ....

.... England on Ocotber 15, 1881 in Guildford, England. He was educated at Dulwich, London and started writing at a young age. By the end of his life, PG Wodehouse turned out more than ninety stories and fifty other miscellaneous pieces of works such as film scripts, etc. (Jasen 1). During his childhood was abandoned by his parents and lived with various relatives. Although, as David Damrosch notes, Wodehouse "always insisted that he had a happy childhood, including a relationship with a father who was 'normal as rice pudding'"(Damrosch 453). He moved from England to Hong Kong and to the United States. He was introduced and brought up by a variety of aunts, uncles, nannies, ....

.... sound is heard once more during Ben’s first visit to Willy’s house. His story of father and his flute-making business sets a warm tone only to be wrecked by Ben’s action of throwing Biff, a young, curious boy, to the ground, helplessly. The final performance of this tune is heard at Willy’s sad funeral, where Linda pays her respects to her well-liked husband. Ending on a sad note, the flute appears in time of odd emotions. In the beginning of the play, a state of confusion is felt. During Ben’s visit, a state of pride is felt. At the end, a state of loneliness is felt, leading the reader to think if there is an ironic relationship between the flute, representin ....

.... bid thee call.” (Act 2, Scene 5, Line 9) He realizes that Lancelet is much lower than he is on the social and economic level, and he does not let the youngster forget his status by continually acting antagonistic towards him. He makes Lancelet appear to be a sluggard who sleeps all day and does little work. He always seems to criticize the poor boy behind his back and complain about his laziness. Even after Shylock sees that Lancelet is gone, he continues to reproach his work as a servant. It seems as though Shylock is trying to elevate his own self-esteem, by acting contentious towards his servant. The way in which Shylock treats his own daughter is beyond compre ....

.... great ability to reveal truth. Shakespeare asks a question similar to the one posed by Belsey in the prologue of the first act. “Can this cock-pit hold the vasty fields of France? Or may we cram within this wooden O the very casques that did affright the air at Agincourt?” (11-14) Branagh chooses to display his single-man chorus walking through a torn-down theater while speaking these words. I do not think he does this to imply the theater is dead, or to say that only film can portray truth in today’s image-based society. Instead, the speech ironically implies the realistic nature of film when the Chorus tells the viewer to “Think, when we talk of horses, that y ....

.... the role of head of the household as a teen when her mother dies, because she feels it is her duty and she owed it to her mother. The family theme that I identified can be interpreted many different ways from the context that it was written, but these two short stories were appropriate for this theme. Frustration another prevailing theme in some of Joyce’s work has also been outlined in Araby. Everyday the boy would suffer with an infatuation with a girl he could never have. He even had to deal with his frustration of his self-serving uncle, which he and his aunt were afraid of. The absolute epitome of frustration comes from his uncle when he arrived late at home delay ....

.... childhood which left important impressions later reflected in several of his short stories such as "Up in Michigan" and "Big Two Hearted River." In high school, Ernest edited the school newspaper, excelled in football and boxing, and ran away from home twice. Upon his graduation, seventeen year old Hemingway headed to Kansas City to enlist in World War I, in outright defiance of his parents objections. However the army rejected Hemingway, despite his repeated efforts, due to permanent eye damage incurred from his years of boxing. Yielding finally to the army's rejections, he added a year to his age and was hired as a reporter for the Kansas City Star, a national newspaper. W ....

.... Henchard means seriously and in that act which refuses the spirit of festival he places himself in a position of antagonism to the workfolk, an antagonism which grows with time. From this opening the motif of festival shadows the story and mimes the 'tragic' history of this solitary individual culminating in the ancient custom of the skimmington ride. This motif forms a counterpoint to the dominant theme of work and the novel develops on the basis of a conflict between various images of the isolated, individualistic, egotistical and private forms of 'economic man' (Bakhtin's term) and the collectivity of the workfolk. The many images of festivity - the washout of Henchards' ....