.... characters to voice his opinion mocking philosophical optimism. In the story is asking a gentleman about whether everything is for the best in the physical world as well as the moral universe. The man replies: “I believe nothing of the sort. I find that everything goes wrong in our world, that nobody knows his place in society or his duty, what he's doing or what he ought to be doing, and that outside of mealtimes...the rest of the day is spent in useless quarrels... it's one unending warfare.” By having this character take on such a pessimistic tone, he directly contradicts the obviously over optimistic actions of . In the conclusion an old Turk instructs in the ....

.... characters' names are symbolic and representative of their personalities. "'With Heaven above and Faith below, I will stand firm against the devil!' cried goodman Brown," is just one of many quotes that directly relates goodman Brown's personality with his name (189). Goodman Brown is truly a good man. Faith, goodman Brown's wife, also has a name that is indicative of her nature. The story directly supports this point in the phrase "Faith, as the wife was aptly named . . . " (184). Faith is persistent in trying to keep goodman Brown off the path of sin in the first part of the story: " . . . pr'y thee, put off your journey until sunrise, and sleep in your o ....

.... to say. He said it" (241). He was one of those men who you had to admire. You HAD to love him, if you knew him. The Intended said, "she had been worthy of him" (248). She speaks of him as almost a god. The Intended promises Marlow she was worthy of him, she had all his noble confidence. Their engagement wasn’t approved because Kurtz wasn’t wealthy enough. Kurtz had the ability to draw "men towards him by what was best in them" (249). This is the gift of the great. Kurtz was a great man. He was a born leader. The Kurtz prior to the journey seems to be a man with a heart of gold. "His goodness shone in every act" (25 ....

.... existence twists and turns with every mental and extraneous disaccord. Jim Casy is an interesting, complicated man. He can be seen as a modern day Christ figure, except without the tending manifest belief in the Christian faith. The initials of his name, J.C., are the same as Jesus Christ. Just as Jesus was exalted by many for what he stood for was supposed to be , Casy was hailed and respected by many for simply being a preacher. Casy and Jesus both saw a common goodness in the average man and saw every person as holy. Both Christ and Casy faced struggles between their ideals versus the real world. (Despite Casy's honesty, goodness, and loyalty to all men, he would n ....

.... in fact it was apparent that these boys needed some discipline. This family apparently had money and because of their social status, felt it was alright to treat animals and people, that weren’t of their caliber, as if they meant nothing to society. There was a great deal of class conflict between the family that lived on the farm, the Jones’, and the Pilkingtons. The Jones’ owed money to the Pilkingtons and they were taunted throughout the movie about it. On the other hand, the animals had personalities of their own and were holding meetings in the barn. They would discuss such things as how bad they were being treated by Mr. Jones. He was an alc ....

.... gives second chances. After Caliban attempts to rape Miranda, Prospero does not get rid of him. If I were Prospero, I would have a severe monthly payment punishment-plan installed for Caliban. Near the end of the play, after Properso reveals the conspiracies of all those against him, there is no harsh punishment as one would imagine. He basically just demands repentance. Forgiveness is one of the themes in this play, and here Prospero demonstrates it. Even though Caliban conspires with Stephano and Trinculo to kill him, he refrains from punishing Caliban (“Go, sirrah, to my cell;/Take with you your companions. As you look/To have my pardon, trim it handsomely.&# ....

.... light, a nice grade of hair, and she was somewhat educated. Dee was in a hurry to get out of the country and never come back. She wrote to her mother saying “no matter where we choose to live, she will manage to come see us. But she will never bring her friends” (Walker 63), letting everyone know that she thought she was too good to continue to take part in her heritage. Maggie was portrayed as a flat character. The reader is not told much about her, and she never changes throughout the whole story. The mother would be the static character. She is seen as an older women set in her ways from life experiences, and from what she had been taught growing up black in ....

.... and order, has multi-layered interpretations, provokes an ambiguous and mixed reaction from the reader, and has varied approaches to the conventional storyline; beginning, exposition, and closure. There are liberties taken with the time structure of the narrative. The story itself is like a "mural, [the] falling together of accomplices." Ondaatje tells of ordinary people who’s stories interlock and intersect, with many "fragments of human order". Ondaatje does not tell the stories loosely and scattered with no real purpose in mind, he employs recurring images and motifs, for e.g. moths and insects, feldspar. This is to provide continuity and relevance, ....