.... to term [the birthmark] a defect or a beauty . . .” (Hawthorne 11). Most persons of her own sex refers it as “the bloody hand,” that “Quite destroy(s) the effect of Georgiana’s beauty . . .” (Hawthorne 11). While her admirers “were won’t to say that some fairy at her birth-hour had laid her tiny hand upon the infant’s cheek, and left this impress [the birthmark] there in token of the magic endowments that were to give her such sway over all hearts” (Hawthorne 11). Georgiana’s casual approach towards the birthmark reveals while she answers “No, indeed,” when her husband asks her “has it never ....

.... child who must make his or her own way in an antagonistic world (Dunleavy 242). Besides the absence of a mother figure, both sisters spent most of their lives in isolation on the Yorkshire moors, another important influence on the novels (Abbey and Mullane 414). Rebecca Fraser, a biographer of the Bronte family, believes that they clearly preferred a reclusive lifestyle admist the primitive beauty of the moors (23). By comparison, the bleak, lonely moors of Yorkshire serve as the same setting for two of the greatest novels of the nineteenth century, Jane Eyre and Wuthering Heights (“Bronte” CD-ROM). According to an essay written in The Eclectic Review in ....

.... free-and who was to blame for it? Why, me. I could get that out of my conscience, no how nor no way." Huck is hearing the voice of society at this point, not his own. He does not see a moral dilemma with Jim being free; he is opposed to the fact that he is the one helping him. This shows Huck misunderstanding of slavery. Huck does not treat Jim like a slave when they travel together, this shows the reader that Huck views Jim as an equal in most ways. Huck sees having a slave only as owning the person, not actually being a slave to someone. Therefore, when he helps Jim runaway it would be like stealing. This conscience is telling him that Miss Watson, Jim’s master, n ....

.... of religion to Macbeth gradually decreases to a point where he no longer refers to God in his thoughts or actions. For he had killed Macduff's wife and children for no logical reason. Moreover, Macbeth proves that he no longer has second thoughts about killing people when he says, "From this moment The very firstlings of my heart shall be The very firstlings of my hand." (IV, i, 145-147). This saying contradicts him, when he first killed King Duncan, when he said, "But wherefore could I pronounce 'Amen'? I had most need of blessing, and 'Amen' Stuck in my throat." (II, ii, 35-37). However, due to the fact that Macbeth knows that he is disconnected from God, it will ....

.... ignore each others' races unless they are taught or given reason to do otherwise. McBride's race came to his attention at an early age. He noticed that both black people and white people stared at his white mother with her black family, letting him know that his family was different from what was considered normal and acceptable by society. Comparing skin color with his mother, he noticed that her skin was white while his was black. He became confused about his own color and uncomfortable with the fact that his mother was white. He wanted to be accepted by others, and he thought that life "would be easier if [his family was] just one color, black or white" (103). M ....

.... Cooleridge contrasts Shakespeare’s use of a tragedy in Hamlet to the play MacBeth. Cooleridge shows that Hamlet proceeds in his schemes with the utmost slowness, while MacBeth has a pace that is crowded and moves with breathless rapididty. These two plays with themes of Greed and Revenge are both rooted in the same systems of belief but are carried out in totally different directions. Cooleridge goes on to say that perfection is usually only found in one’s mind and is rare if impossible to find in reality. This is again shown through the fact that Hamlet’s planning seems to take a backseat to luck and fate as the others end up dying from the po ....

.... heads you see sometimes in circus sideshows." He later explains that he is "neither dead nor in a state of suspended animation," but rather is "in a state of hibernation." (p.6) This invisibility is something that the narrator has come to accept and even embrace, saying that he "did not become alive until [he] discovered [his] invisibility." (p.7) However, as we read on in the story, it is apparent that the invisibility that the narrator experiences, goes much further than just white people unwilling to acknowledge him for who he is. While searching for his true identity, the narrator frequently encounters different people who each see ....

.... overly narrative. Pearl is the purest embodiment of literary symbolism. She is at times a vehicle for Hawthorne to express the irrational and translucent qualities of Hester and Dimmesdale’s illicit bond at times, and at others a forceful reminder of her mother’s sin. Pearl Prynne is her mother’s most precious possession and her only reason to live, but also a priceless treasure purchased with her life. Pearl’s strange beauty and deeply enigmatic qualities make her the most powerful symbol some feel Hawthorne ever created. The product of Hester’s sin and agony, Pearl was a painfully constant reminder of her mother’s violation of the Seve ....