.... heard i’ the air; strange screams of death,..." (Act 2 scene 3 line 54-56). "Three score and ten I can remember well;/Within the volume of which time I have seen/Hours of dreadful and things strange, but this sore night/Hath trifled former knowings." (Act 2 scene 4 line 1-4). Both these quotes are talking about the night of Duncan’s death. They are showing the comparisons between the natural unruliness and the anomalous disaster. "And yet dark night strangles the travelling lamp." (Act 2 scene 4 line 7) is a metaphor for both the murder of Duncan and the night in which it transpired. A dark and stormy image is also portrayed when pernicious characters (ie. ....

.... from the beginning. Yet, Casey’s relation to Christ goes beyond such mere coincidences, and plays out rather in their similar plans of action. One of the many similarities between Casey and Christ is that Casey had also drifted out to the forests in order to "soul-search" and discover the answers to sometimes hidden questions. In this particular situation, Casey himself states the comparison of Christ’s and his actions while giving a grace at the Joad’s breakfast table, "...I been in the hills, thinkin’, almost you might say like Jesus went into the wilderness to think His way out of a mess of troubles" (Steinbeck ch.8). Casey further goes on ....

.... of those who were presumably persecuting them, leaving dozens of peopled jailed. As soon as this witchcraft hysteria began to get out of hand, the Governor of the Massachusetts Bay Colony designated several of the colony’s leading citizens to assemble a special court responsible for trying all those suspected of witchcraft. It was at this point that the Salem witch trials began and would later be the plot of a major 19th century play. It was 1953 when Arthur Miller wrote The Crucible, which translates to "the test", a play based on the actual events of the witch trials in Salem during 1692. Although Miller’s play is a strong story about what took place in Sal ....

.... pieces is unsettling. In both instances, though, the reader is left with a much more absorbing story; one in which the reader is, in fact, a main character. With the exception of "My Old Man", which is entirely in the first person , and "On the Quai at Smyrna", which is only possibly in the first person, there is just one instance in In Our Time in which a character speaks in the first person. It occurs in ": Part II", an intensely personal story which completely immerses the reader in the actions and thoughts of Nick Adams. Hemingway's utilization of the omniscient third person narrator allows the reader to visualize all of Nick's actions and surroundings, which would ha ....

.... to the physical world, but, as a result, gained the gift of sight into the spiritual world. This great gift allowed him to become a superior prophet, praised by the people as "god like" and as a person "in whom the truth lives." Therefore, it was no surprise that Oedipus asked the old prophet to come before the people to enlighten them as to who or what the cause of the plague decimating their country was. What Oedipus was not expecting, however, was that the sin he could not see himself was to blame for the judgement being poured out upon the country. The sin so hidden from Oedipus’ and the peoples’ eyes was quite visible to Teiresias. Wha ....

.... Airstrip One, itself the third most populous of the provinces of Oceania." The dwellings that the people live in, called Victory Mansions, are depicted as “…rotting nineteenth-century houses, their sides shored up with balks of timber, their windows patched with cardboard and their roofs with corrugated iron….” The setting creates a mood of devastation and hopelessness, fabricated by the Inner Party to suppress its followers. These people live in a society that is ruled by totalitarianism, and the aim is to give the greatest good to the smaller number. As indicated by “Cliffs Notes,” on pages 34 and 35, the main character, “Winston, like others, is expected ....

.... which he obtained from the Old man of the sea to the reader. The Old man told Telemachus of the sorrowful tale of Agamemnon's Murder. The story tells of how Aegisthus paid a man to watch for Agamemnon's return from the sea. After a year of waiting, the King returned in what he thought to be secrecy. The lookout man relayed the information to Aegisthus and he had Agamemnon's finest warriors become preoccupied with a small confrontation in one end of the castle. In the other end of the castle, Aegisthus had a banquet and feast prepared for Agamemnon. Aegisthus took a chariot to the sea and picked up Agamemnon. Agamemnon was very happy and he believed that Aegist ....

.... reference to the Lord or religion in general but because she is worried about how bad she looks. This gives and indication of how the author interprets religion in the story, not important and not serious. As the story progresses, Connie’s language takes an obvious turn. When Arnold Friend, someone she has seen but never talked to, shows up on her doorstep, she is somewhat defensive, but curious. "I ain’t late, am I?" is the first thing he says to her when she opens the screen door. Connie replies by saying, "Who the hell do you think you are?", a typical response of someone in that situation. If a complete stranger showed up at my house and talked t ....