.... talking to them is bitter and bossy, and he never said thank you. Later in the story after they had arrived at their next house, he orders his wife, her sister and his two daughters to unload the wagon. He walks with his son to DeSpain’s house where he entered without given permission, and proceeded to wipe his feet that was covered with horse manure, thus staining the rug. "Abner moves through life with no regard for his fellow humans and with no respect for their right to material possessions" (731). After being told to clean the rug, Abner took a rock and further ruined it. His coldness is shown when he demands his two daughters to clean the rug in pots of l ....

.... fighters bullying members of their own breed. This battle among the black race consists not only of physical trauma, but emotional trauma as well, for the boy believes he is somehow not connected to the black race. As he waltzes into the hotel, the boy feels as if he is on a higher level than his fellow black men because he is educated, and he says of his racial equals, "I felt superior to them in my way, and I didn't like the manner in which we were all crowded together into the servants' elevator"(175). The boy undergoes a realization that he is, in fact, not a Booker T. Washington as he plans to be in life, but merely a common black man who is in disagreement with his ....

.... very clearly the warrior-based society of the period. It is through, not only the battle scenes that are quite vivid, but also the way the accouterments of battle receive high mention within the poem that this is accomplished. At the start of a battle the author gives the number of forces on each side, while during the individual fights amongst the peers, he gives detailed blow-for-blow descriptions of what occurred. Also, throughout the body of the work the warriors, no matter which side they are on, have significant names for their weapons and war-horses. This holds to the ancient custom that honored weapons with special names as having magical powers that could help its b ....

.... was afraid of the way people would talk. It really wasn\'t her fault she was the way she was; it was mostly Torvald\'s for spoiling her. Nora relies on Torvald for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all of its actions. Her carefree spirit and somewhat childish manners are shown throughout the play with statements such as, \"Is that my little lark twittering out there?\" (1). \"Is it my little squirrel bustling about?\" (2). A lark is a happy, carefree bird, and a squirrel is quite the opposite. If you are to squirrel away something, you were hiding or storing it, kind of like what Nora was doi ....

.... Instead she is a gift from her father to the king of Algarve. Alatiel goes with Pericone but his brother, Marato wants the princess also. Marato takes Alatiel and “a large part of Pericone’s valuable possessions” to the ship they are leaving on (52). This sentence implies that Alatiel is one of Pericone’s possessions. Alatiel is treated like property again when she is on the boat. Two men think that her “her love could be shared like merchandise or money” (52). Once she gets to a new destination the prince of Morea looks “for a way of possessing her” (53). He doesn’t and can’t win her love because they ....

.... are thought of as garments to be worn; likewise, Macbeth is constantly represented symbolically as the wearer of robes not belonging to him. He is wearing an "undeserved dignity." A crucial point in describing the purpose of clothing in 'Macbeth' is the fact that these are not his garments. Therefore, Macbeth is uncomfortable in them because he is continually conscious of the fact that they do not belong to him. In the following passage, the idea constantly recurs that Macbeth's new honours sit ill upon him, like a loose and badly fitting garment, belonging to someone else: New honours come upon him, Like our strange garments, cleave not to their mould, But with the a ....

.... of love are demonstrated by the characters throughout the play. Shakespeare uses great symbolism in portraying the blindness of love. When Puck and Oberon apply the juice of the pansy to the eyes of the Athenians and to the eyes of Titania, the fairy queen, they are quickly enveloped by a magical love spell. This spell causes them to fall deeply in love with the first living creature that they set eyes on. "The next thing then she waking looks upon, (Be it lion, bear, or wolf, or bull, On meddling monkey, or on busy ape) She shall pursue it, with the soul of love". The spell can only be reversed by applying yet another herb to the eyes of the victims. Titania serve ....

.... strokes recalling the organic textures of Van Gogh and contrasting with the more geometric and gilded shapes of her clothing. The brushwork moves through supremely controlled and ever tightening spirals of changing direction from the dark curve of the jaw to the rose colored center of the cheek to the dark and barely visible center of the eye (Figure 2, Feature 1). The motion thus created evokes a mesmerist's disk, a hypnotic spinning spiral. The rendering of the shadows around her eye hints at the kohl rimmed eyes of an Egyptian hieroglyph, an ancient and mysterious goddess (Figure 2, Feature 2). Mary's power, her steady gaze, is unquestionable. The shapes of the pi ....