.... My own definition of literature takes two parts: the parts from Rosenblat's essay, such as the connection on a personal level and connecting with experiences; the other part of literature for me is the test of time consisting of whether the text has been taken in by other people. After all, it isn't one person that turns a story into a classic; the same should be said of literature. Rosenblat said the same idea better than I: "Keeping the live process of the literary experience before us, I shall attempt to look more deeply into the nature of the literary experience, and to explore implications for problems of literary theory. . ." I think that Rosenblat would agree wi ....

.... recognized this as the true state of affairs " (12). Montag's awareness is triggered at the point in which Clarisse states " But you're just a man, after all " (7). This statement by Clarisse makes Montag think of a time when he was a child during power failure, and he wishes it not to end. In Montag's second meeting with Clarisse, the two of them find a dandelion and Clarisse tells Montag of rubbing it under his chin. Clarisse explains " If it rubs off, it means I'm in love "(22). Clarisse rubs the dandelion under Montag's chin and Clarisse remarks "What a shame, you're not in love with anyone " (22). Montag thinks that he is in love, but realizes that he is not in ....

.... and journalist at various times for the French, Jewish, periodical, L’Arche, Tel-Aviv newspaper Yediot Ahronot, and the Jewish daily forward in New York City. Francois mauriac the Roman Catholic Nobelest and Nobel Laureate convinced Wiesel to speak about the Holocaust. Wiesel wrote an 800 page memoir which he later edited into a smaller version called "Night". In the mid 60’s Wiesel spoke out a lot about the Holocaust. Later on Wiesel emerged on as an important moral voice on Religious Issues and the Human Rights. Since 1988 Wiesel has been a professor at Boston University. Some of Wiesel’s greatest novels has been "Night", "Dawn", "The Accident", "The ....

.... and even brothers have told how they would recall as they were fighting, they themselves carried the unnecessary on a tour. The seemingly innocent picture, the numerous letters sent, and even thoughts of what it was like to be home, all of a loved one is now shown to have an impact. As seen with Jimmy Cross, some men even went to a profound obsession. As mentioned early in the work, Jimmy Cross carries letters and two pictures from a friend named Martha. The story tells how "he would dig his foxhole, wash his hands under a canteen, unwrap the letters and photos, hold them with the tips of his fingers, and spend the last hour of light pretending, he would imagine rom ....

.... Huck Finn and Jim are trapped in some way and wishing to escape. For Huck, it is the violence and tyranny of his drunken father. Kept in a veritable prison, Huck wishes desperately to escape. Jim feels the need to escape after hearing that his owner, Miss Watson, wishes to sell him down the river-a change in owners that could only be for the worse. As they escape separately and rejoin by chance at an island along the river, they find themselves drawn to get as far as possible from their home. Their journey down the river sets the stage for most of Mark Twain's comments about man and society. It is when they stop off at various towns along the river that various human charact ....

.... to the older fishermen, as it was spoken of like a place or a contestant. The old man always referred to the sea as a female, like a mother. "He always thought of the sea as la mar which is what people call her in Spanish when they love her." (p.29) He saw the sea as a woman, a woman that gave or withheld favors. She was unpredictable beacuse "The moon affects her as it does a woman." (p.30) The sea was like a second home for the man, who fished every day. La mar provided the man with food, a living, an enemy, and a friend. When he was out on the sea fishing, he was at home. The sea, la mar, was like his mother. The fish in the ocean were like his brothers an ....

.... The story is cast in an isolated hereditary estate, set back from the road and located three miles from town. The property boasts protective hedges that surround the garden, walls that surround the estate, and locked gates which guarantee seclusion. Even the connecting garden represents confinement, with box-bordered paths and grape- covered arbors. This isolation motif continues within the mansion itself. Although she preferred the downstairs room with roses all over the windows that opened on the piazza, the narrator finds herself relegated to an out of the way dungeon-like nursery on the second floor, appropriately equipped with "rings and things" in the walls. Wind ....

.... Henri Pichot, the white landowner, questions Miss Emma that, “At this point, I would be more concerned about his [Jefferson] soul if I were you,” and she responds, “Yes sir, I’m concerned for his soul…. But I want him to be a man, too…” (22). It becomes Grant Wiggins’s responsibility to teach Jefferson how to change his attitude and gain the courage to stand and reach salvation. Grant becomes responsible to help Jefferson walk towards death like a man, and does not have to do anything about his soul. It is through the close relationship that Grant and Jefferson develop through their conversations that finally deep down in ....